In Fig. 11a is a whole-arm design. A sleeve is always an exciting opportunity for a tattooist; it's less common to get such a request from a female client, although heavily tattooed women are becoming much more common. I find that the feminine form can call for a lighter overall look; to provide this light and open quality, plenty of open skin was left in the water to keep the tattoo from becoming too heavy. The water was used as an opportunity for flow, and cascades up and down the natural curves of the arm. It also serves as a unifying element to tie together the rest of the tattoo's subjects. The remaining elements in the design are brightly colored; if we had left areas of open skin in the hand and flames along with all the open skin in the water, the piece would have appeared underworked and insubstantial. Although the client already had a couple small tattoos on her forearm, we were able to incorporate them into the overall design in such a way that the entire arm still appears as one piece.

Fig. 11a

  

Designs that have large amounts of untattooed skin in the background usually will be the most successful if the foreground elements have little or no blank skin.
A unifying element is a continuous element such as fire, water or vines that appears in various places throughout a large tattoo such as a sleeve. When used the right way, unifying elements give complex designs better flow and visual continuity.
I believe that many tattoos done on women tend toward being too dark and dense. Women's needs can be different from men's needs; more open skin and a softer overall look are a good start. This depends on the client, of course. I get into more detail on this subject later in this chapter.

Join the discussion in the forum.